Available now on your favorite streaming platform…
Presenting a fun video of the debut performance of movement 1 from “Wabi-Sabi (for string quartet)”!
As we’ve still been in quarantine mode at the start of spring, I thought I’d overlay myself playing all the quartet parts using my 6-string electric violin. And, of course, I wanted to show off my fiddle’s colorful lights at the start of the video. 😉
“Wabi-sabi acknowledges that just as it is important to know when to make choices, it is also important to know when not to make choices: to let things be.” (Leonard Koren in “Wabi- Sabi for Artists, Designers, Poets & Philosophers”.)
The aesthetic and metaphysical ideals that Japanese wabi-sabi encapsulates include simplicity, naturalness, and an acceptance of reality. This musical work seeks to illustrate the overall nature of wabi-sabi. At both the beginning of movement 1 and the ending of movement 3, notes are thought of as specks of Potentiality that are randomly evolving from or devolving to Nothingness. Movement 2, at the center point of this universal journey, expresses a concerted effort of diverse elements to create structure and meaning.
The single for “Crystallization (A Winter Passacaglia)” is now out on your favorite streaming platforms!
A wintery piano solo, inspired to be written during the 2020 holiday season. Dedicated to my dear friend, Michael Jung, who’s always willing to try anything I throw at him.
What else am I up to…?
A new album in the works!
This upcoming album is in still in its conceptual stage, but my thinking is to include recordings of the following works:
- Aradia, La Bella Pellegrina (performed by the wonderful ACE Trio!)
- Wabi-Sabi, recorded by myself on my 6-string electric violin
- Ayre of Grievances, performed by myself and Shannon Canchola
- A fleshed-out version of “Crystallization“, featuring the piano solo with chamber orchestra accompaniment, recorded with real instruments
- MMXX, recorded by myself
- And perhaps… a new recording of Of Roses and Lilies, recorded with real instruments
I have to admit that it’s a weird feeling, thinking about recording live musicians again, after this long year of distancing. I’d gotten so used to the idea of relying on myself and my computer for everything! But, while I do wonder if I will know “how to people” again soon enough (lol), I am looking forward to working with my friends and colleagues, making music in person again. And I think this project is a great way to get myself into the groove again. <3
Wallin-Huff’s brooding The Dark Glass Sinfonia is as mysterious as its title, the composer here melding atonality with modal harmony in a dramatic tone poem that recalls at certain moments Bartok and Shostakovich… The quality level is high throughout [the album], but the release earns its recommendation for the pieces by Alabaca, Wallin-Huff, and Vassdal in particular. Of all the album’s settings, one imagines these three would most stop an audience in its collective tracks upon encountering them in a concert set-list.textura
Coming soon, and available now for Backstage Supporters — Hope Unfolding!
Inspired by the pandemic quarantine of 2020, this improvised work is an expression of relentless hope unleashed upon the world. On a day of feeling “cooped up” I was simply inspired to create this electronic backdrop of voices and texture, and the next day I pulled out my fiddle and enjoyed freely jamming around to this track.
Look for it April 10!
Both my latest New Age single and my Classical work for orchestra are now available anywhere you listen to music! Visit the link below to check them out…
My Dark Glass Sinfonia for symphony orchestra is the second track on this amazing album, coming out soon from Navona Records. And you can pre-order it now! 🙂
…Next comes Dark Glass Sinfonia by Sarah Wallin Huff, in which crumpled dissonances flower into exuberant tonality, capitalizing on the full dynamic range of the orchestra… In PRISMA VOL. 3, seven masters of this challenging artform rethink what a symphony orchestra is capable of, and in so doing, present their audience with a unique and gratifying musical experience.Album Editorial Review
PARMA recordings is just about ready to start manufacturing of “Prisma Vol. 3”—the orchestral compilation album that my “Dark Glass Sinfonia” will appear on! I love the little blurb they came up for it in the liner notes; so perfect!
”Next comes Dark Glass Sinfonia by Sarah Wallin Huff, in which crumpled dissonances flower into exuberant tonality, capitalizing on the full dynamic range of the orchestra.” (PARMA Recordings)
I’ll let you know when it’s released!
Now available on all your favorite platforms is the single, “La Partita Electronica”!
J.S. Bach gets groovy!
Based on an unaccompanied violin partita variation from the eighteenth century by Bach, layers of electronic elements breathe new life into this classic. Also appearing on this release is “Sonata Moderna (Remastered)” from 2010. “Sonata Moderna” is based on a piece from the seventeenth century (“Sonata sopra la Monica” by Biagio Marini). It was the May 2016 Akademia Winner for Best Ambient/Instrumental Song. Featuring two violins and cello with rock rhythm and chords, the past is united with the present in this driving work.
Enjoy this little amuse-bouche of mashed-up music! 🙂