Super humbled to have been featured in student paper, The Poly Post, today! ^_^
This past August I finished an original score for a dark-humor short (based on a true story, no less!) called I Spy a Foodie. It was a very enlightening learning experience and a really fun project to work on! I pulled out some new gadgets and tried new ideas for it (I’m so thrilled I got to use this amazing free app for a lot of my sounds), and I’m so happy with how the whole score turned out!
On top of that, I’ve just learned that my score is nominated for the Roger Taylor Award for Best Score for a short film at the Idyllwild International Festival of Cinema!! I’m so thrilled!
Enjoy the original soundtrack below…
Now available is a video featuring nine selections of my music from a variety of moods and genres! Which one is your favorite? 🙂Originally posted on NovelSoundtrax.com
1:36 “Krav Maga” from Shady Oaks Takedown
2:45 “Transcendence” from Jumpy Space Fight (video game)
4:38 Finale from I Spy a Foodie
6:27 “Leviathan of the Ancient Deep” Movement 2: Sighting
7:26 “Leviathan of the Ancient Deep” Movement 3: The Hunt
8:50 “The Hero Leaves His Mark” from A Little Something About Noel
10:09 “Phillipy is Fragmented” from The Book of I
11:17 “I Am Water” from The Book of I
Listen to the whole sound track here.
Another rare find! The AMAZING soundtrack by Gil Mellé—a soundtrack that its film does not deserve! 😹 I feel like it belongs with some epic city crime drama…
This soundtrack from 1977 by jazz composer and artist Gil Mellé is an amazing, colorful work of art. What strikes me is how this music got involved with the 1977 Canadian sci-fi film “Starship Invasions” (starring Christopher Lee!!!).
When watching the film, it was a typical B-movie experience, except for the fact that the music continually struck me as beautiful and clever and engaging–nonetheless, the music does NOT match up with any of the vibe or story of the film! It was a surreal experience!!
When listening to the music alone, I imagine some gritty, city, detective drama. And, musically, it is a joy to listen to! So, I’ve taken the available synthetically-made stereo tracks (it feels like these were taken from the original reel-to-reel, that perhaps wasn’t stored too carefully, and then manipulated on early equipment), and I ran them through my up-to-date basic mastering system, to at least try to breathe some fullness into these tracks.
It’s still not the greatest quality. Someday, I may track down the original mono files and just build them up from scratch… I like the music enough, I may just do that someday. But for now, I hope you’ll enjoy this symphonically jazzy soundtrack masterpiece by Gil Mellé!
In 2017 I had the pleasure of working on some original chamber orchestra music for portions of the underscore of “A Little Something About Noel,” a sweet short film by Paul Garcia. I’m thrilled to say his film is now available for viewing! Enjoy it below; you can also find my soundtrack on the album, “Myriaddict.”
Shady Oaks Takedown, the film created in 48 hours, is now available to stream and share on Vimeo.
The year old film, was produced for the LA 48 Hour Film Project to write, produce and finish a film in only 48 hours. In addition, several parameters were given: A character named Austin or Ashley Cheevers who is a winemaker, a wallet for a prop, and the line of dialog “We only have a few minutes” must be included. The genres were drawn at random from a hat, the team drew “Martial Arts/Buddy Film” and we could combine them or use one or the other. (Source)
This adorable short film, a frequent Audience Favorite at screenings, was a crazy, fun project I was brought in to create the music for… in only 6 or so hours…!!! Read more about the experience here.
You can also check out my interview with Bella Composers here…
While the full soundtrack is currently available on my store and everywhere else you stream music, you can now watch it in context of the entire film!
Enjoy below, and share it around if you like! 🙂
Welcome to #NewTuneThursday!
“The Elusive Everyman and Her Majesty” represents our main character, forced to live everyday with his mental illness, unsure who is real and who is not… Though that’s not entirely true– all the characters are very real to him.
Here’s how I put the work together; it’s really my most formulaic of the whole suite, which I think suits the mental state of our character…
This track represents one part of the two-fold heart of the main character’s ultimate saga, in my musical interpretation of it. Essentially, this track is comprised of an increasing hodge-podge of melodic fragments — ripped violently from the original works in which they are first found (from “I Know What Death Sounds Like,” “Faces in Foam,” and The Everyman and Her Majesty themes at the beginning of this present track) — that swirl into an angry and frustrating mass of sound and angular textures, up until the very end, when they merge together into The Whiteness of Teaston’s mind. My next track will strive to illuminate musically the flip-side of Teaston’s disjointed thoughts, and the ways in which he attempts to come to terms with his schizophrenia….
Technique-wise, I assembled these fragments by first labeling them both alphabetically and numerically, then, taking seven of Teaston’s own chaotic fragments of thought from random places in the book (“Ever will I?”; “Can I?”; “Consumption”; “Hello Blood”; “The Cliff, Thanks”; “And the Water”; “Even My Face”), I used the letters and syllables of these phrase-lets to “spell” out and overlay the musical phrases.
How many of the phrases from these earlier tracks can you recognize, rushing and overtaking Teaston’s poor troubled mind?
I am fascinated with this work but I have yet to be happy with a performance of it… it’s just such a wickedly tricky work!
There are two versions you can listen to at this point: a live version that’s not entirely accurate but has a lot of heart, and a digital rendition that is spot on as far as accuracy goes but is missing a little bit of the humanness to it… See what you think! 😉
“The Elusive Everyman and Her Majesty” can be performed by an advanced ensemble. Get the sheet music here! And stay tuned for our new work…
Welcome to #NewTuneThursday!
This piano miniature was composed just last year, in 2017. I originally wrote it as part of a larger set of background music for a bingo game app developer. While the rest of the album consists of electronic tunes, I just had a hankering for pulling out this little song for piano in an almost spoofed, pastiche-ed way.
I mean, just look at this opening tempo marking; it has so much attitude, full of dramatic imagery!…
By the time it was all done, it had a weird charm that I absolutely fell in love with. I just always grin when I hear it… ? Pianist extraordinaire Mike Jung has played it live, and had a super awesome compliment for it: it’s fun as hell to play! ?
Enjoy this digital representation below (hopefully I’ll get the chance to record Mike’s rendition of it someday!):
“The Reluctant Carnie” can be performed by an advanced soloist. Get the sheet music here! And stay tuned for our new work of next week…
Chapter 2 is now up and ready to be enjoyed! 😉
If you’ve enjoyed these so far, why not help a neighbor out and share them with those you think might like them, too? And, of course, if you can’t wait to find out what happens next to our characters, pick up the ebooks or paperbacks here!