Sometimes the idea behind the music is just as interesting as the music itself…the music on this album “…explores the relationships between mechanical structures, organic beauty, and identity.” …Wallin Huff presents three unusual compositions that tackle some intriguing ideas and topics… Her music is quite complex and unusual and yet…very easy to absorb and appreciate. There’s a lot to take in here… Our favorite is the wonderfully moody and subtle “Gypsy Wanderer”…nothing short of breathtaking.
Sarah’s music has a classy, understated sound, yet it is baroque and ornate, tipping the hat off to genius composers like Debussy, but also tipping the hat off experimental ideas and cinematic scores. Opening number “Intrepid” is a very dynamic composition with a unique color, almost echoing the work of modern composers like Yann Tiersen.
Weeping Willow, featuring “Michael Jung,” is one of our favorite tracks on this release. I love the romantic, dramatic high notes of the string section, as well as the timeless sound of the sparse piano melodies, almost flirting with shades of Tango, in the vein of Astor Piazzolla. A true masterpiece, with so many nuances. The album is also home to a suite extending over 3 tracks, “Leviathan of the Ancient Deep.” These songs also features ambient samples, as well as electronic elements and ornate percussions, making for a really diverse set of colors.
It is the third piece “The Oracle” that is the crème de la for me with its incredible depth and creative complexity. Dynamics take deep hold here with sudden bursts and calming moments. I really hear the room when flute and clarinet parts elevate along with the brilliant staccato keyboard hits. There are moments when time seems to fall apart and then strings back together in a wonderful interplay among the musicians.
…the [Book of I] soundtrack composed by Sarah Wallin Huff stands out as both a powerful album, taking its listener on an emotional journey of beauty, despair, and hope, as well as a fascinating study of the composer’s visceral and intellectual connection to the source material. Featuring the stellar work of musicians Darrell Peries, Caleb Barnes, Cathy Alonzo, Jenna Ford, Lainey Elizabeth White, Brett Bird, Jonatas Mostacato, Ayla Draper, and [Wallin] Huff herself, the album is a stunning collection of gorgeous, orchestral selections comprised mostly of string instruments that are, at times, vividly haunting but always entirely engrossing. [Wallin] Huff, who previously released her own album, Soul of the Machine, earlier this year, clearly has a passion and a gift for sharing every ounce of her mind, body, and soul with the listener, as if providing a warm invitation for the listener to share the same in response.
In a world where adventure calls and the intrepid answer… where the daring explore a mystifying world of Dream and Thought… where heartbreak twists into furious desperation… where virtuosic fits of funkiness stare brazenly into the face of danger… where forgetfulness drives discovery and hope…
In this world, Leviathan — a creature that haunts the Ancient Depths — lies in wait to strike upon those that seek its legendary might!
Who will win this contest of wills? The stirring waves bear witness to this eternal struggle…
Get an exclusive sneak peek at all the tracks on the upcoming “Legend Seekers” album below! If you like what you hear, pre-order the album on Bandcamp to receive two tracks NOW ahead of release as well as several extra goodies, like exclusive Leviathan artwork and liner notes! Coming soon, there’ll also be a Spotify […]
These past few months have been indescribably fulfilling, yet chaotic, as these things usually go, lol. 😉 I’m nearly through my first semester as a music professor for Cal Poly Pomona; I’ve spent nearly every waking moment setting up and teaching my new classes! I’ve really been enjoying this adventure, and I look forward to each following experience with this wonderful school.
Naturally, as the semester draws toward a close, I’ve been itching to get back to composing and completing my upcoming album, “Legend Seekers” – I’ll be able to start getting back to these projects in just another few weeks, yay! In the meantime, I’ve been meaning to set up this blog post to showcase some of the photos and videos documenting our recording sessions for “Intrepid” and some of the other works that will appear on this upcoming album… Enjoy the gallery and impromptu videos below!
Don’t forget… if you’d like to be a Backstage Supporter of this and other future projects, visit the Backstage Community to see what perks are available–like autographed copies of scores and albums as well as your name listed on the albums you support!
A very special thanks to everybody who has patiently worked with me to make this become a reality!! <3
“Greek Dance” is one of my earliest pieces; I believe this is one of those tunes I wrote while sitting on the bus during my tour years, like “Face in the Moonlight“…
Composed in 2002, this charming and enthusiastic work for string quartet makes playful use of the various rhythmic textures able to be derived from odd-beat patterns. Though it stands, in its spontaneity and brevity, as one of Wallin Huff’s earlier works, it remains a favorite among those who have tackled its deceptively simple intricacies.
It seems so simple, yet it’s such a challenge and a blast to play!
Earlier this year, Ryan M. Luévano invited me to include a short piece for string orchestra of my own during the debut concert of the Neue World Orchestra Project, so I decided to arrange this old quartet for the group. I really love the extra layers of color and texture it provides!
A madrigal, popular in the Renaissance and early Baroque, may be defined as a secular, polyphonic partsong, a through-composed work attempting to express the emotion contained within each line of a poem on which it is based. Loosely, a madrigal may be thought of as a linear journey across pallets of color and emotional soundscapes, and this is precisely what Wallin Huff’s 2014 so-titled work for orchestra aims to do.
This 8-minute work for small orchestra has so much charm for me; I really feel like it’s a journey across time as well as emotion. It has been performed live by the Santa Clarita Philharmonic, and it’s available on the album ESOTERICA.
Satellites that study the Earth are passing through space continuously, collecting data on everything from hurricanes to the effects of drought. What if you could make contact with these orbiting spacecraft, and bring them “down to Earth?” Visitors can do exactly that [at] NASA’s Orbit Pavilion… [Orbit is] an innovative “soundscape” experience representing the movement of the International Space Station and 19 Earth Science satellites. Inside the large, shell-shaped sculpture, distinctive sounds are emitted as each satellite passes overhead…
I have always loved the sounds of space, ever since I first heard the “interstellar music” of the complete Voyager sound recordings in the ’90s. So, when I experienced the Orbit exhibit first-hand, I can’t tell you the total joy and enthrallment I felt encountering it… I tried to capture just a taste of what I was experiencing with this short video you can view below… I hope you enjoy it! ^_^