It is the third piece “The Oracle” that is the crème de la for me with its incredible depth and creative complexity. Dynamics take deep hold here with sudden bursts and calming moments. I really hear the room when flute and clarinet parts elevate along with the brilliant staccato keyboard hits. There are moments when time seems to fall apart and then strings back together in a wonderful interplay among the musicians.
Sometimes the idea behind the music is just as interesting as the music itself…the music on this album “…explores the relationships between mechanical structures, organic beauty, and identity.” …Wallin Huff presents three unusual compositions that tackle some intriguing ideas and topics… Her music is quite complex and unusual and yet…very easy to absorb and appreciate. There’s a lot to take in here… Our favorite is the wonderfully moody and subtle “Gypsy Wanderer”…nothing short of breathtaking.
…the [Book of I] soundtrack composed by Sarah Wallin Huff stands out as both a powerful album, taking its listener on an emotional journey of beauty, despair, and hope, as well as a fascinating study of the composer’s visceral and intellectual connection to the source material. Featuring the stellar work of musicians Darrell Peries, Caleb Barnes, Cathy Alonzo, Jenna Ford, Lainey Elizabeth White, Brett Bird, Jonatas Mostacato, Ayla Draper, and [Wallin] Huff herself, the album is a stunning collection of gorgeous, orchestral selections comprised mostly of string instruments that are, at times, vividly haunting but always entirely engrossing. [Wallin] Huff, who previously released her own album, Soul of the Machine, earlier this year, clearly has a passion and a gift for sharing every ounce of her mind, body, and soul with the listener, as if providing a warm invitation for the listener to share the same in response.
Sarah’s music has a classy, understated sound, yet it is baroque and ornate, tipping the hat off to genius composers like Debussy, but also tipping the hat off experimental ideas and cinematic scores. Opening number “Intrepid” is a very dynamic composition with a unique color, almost echoing the work of modern composers like Yann Tiersen.
Weeping Willow, featuring “Michael Jung,” is one of our favorite tracks on this release. I love the romantic, dramatic high notes of the string section, as well as the timeless sound of the sparse piano melodies, almost flirting with shades of Tango, in the vein of Astor Piazzolla. A true masterpiece, with so many nuances. The album is also home to a suite extending over 3 tracks, “Leviathan of the Ancient Deep.” These songs also features ambient samples, as well as electronic elements and ornate percussions, making for a really diverse set of colors.
Yesterday’s recording sessions were a fabulous success!
Counterpoint Invariable went like clockwork– the three talented ladies who played it nailed it nearly every single take, and they made the work come alive in ways I could only have hoped for!! (In fact, the producer of these two recordings had this to say of the violin trio: “I got totally lost in the 2nd movement of the trio for the simple reason it was so very lovely – really very special.”)
And, as I’ve mentioned, Gypsy Wanderer sounds thoroughly amazing! Passionate, on fire, beautiful… All the emotional moments in the work come alive and were captured for all to hear soon.
Keep your eyes out for news of the release of this album— you won’t want to miss the final product from all this work, seriously… It’ll be available really really soon, within only a few more months!!!!! ヽ(^o^)丿
Omg! I completely forgot to share our three videos from Mike’s and my Seal Beach gig! Included is the DEBUT of my recent work, “Gypsy Wanderer“! It’s a little rough around the edges, but not half-bad for the first official run — and Mike and I are hoping to perform this new Sonata again in January at University of Redlands!
I worked out the (typically complicated) chord structure/progressions and the finished piano part for the middle “bridge-like” section (that comes next after where the present demo recording ends)…. Thus, with the framework now finished, I can finish orchestrating that section next… Then that means, I’m at least 2/3rds of the way done with the piece!!!!
It’s taking on a BEAUTIFUL shape!! I can’t wait to share it when I’m done!!!!