I am so honored (and validated)!
If you haven’t already, go take a listen to Legend Seekers today!
Last night violist Charlotte Van Houten debuted the unaccompanied solo I wrote for her — and it was just amaaaaaaazing!!!
Enjoy this video I grabbed from the performance…and look forward to an official studio recording of it, with Charlotte again on the solo, coming soon!
Right now, the album is only available in DVD and Blu Ray formats, but the downloadable mp3s should be available soon. Get your copy here!
“The word Paroketh (PRKTh) refers to the Four Elements: Peh (Water), Resh (Air), Kaph (Fire), and Tau (Earth). It is the Veil of the Temple before the Holy of Holies… a veil made up of the four classical elements of the human body” (Dan Sewell Ward, Feb 2007). In the Kabbalistic Tree of Life, the “Veil of Paroketh” lies between the middle branches of intention, or consciousness, and the lowest branches of our physical reality. Everything “above” Paroketh’s Veil emerges from our conscious decisions and beyond… from the past stories and experiences that help shape our intentions to act as we choose in the world.
A vintage aura of story and myth envelops this intimate collection of chamber music. For example, “Falada” — Portuguese for “speaking” or “discourse” — brings to mind the role storytellers of old played in their communities, passing down vital history and life lessons to the young. “Weeping Willow” recalls emotional whirlwinds of despair, hope, and passion — emotions common to us all. “Forgotten Melody” seeks deep within the soul to uncover that which was once hidden. And the three diverse works — “Of Roses and Lilies,” “Aradia, La Bella Pellegrina,” and “The Oracle” — tell the stories of their respective characters: ancient tales that continue to impact our modern culture.
May we embrace our past stories to uncover the commonality inherent to all humanity.
My good friend, Adrienne Andisheh, and I got together yesterday to start practicing the two violin parts for our recording session of “Weeping Willow” on Dec 18! This video was only the second time we ran it together; we still have some spots to iron out, but I was super impressed by how quickly it’s coming together, and HOW FUN it is to play!!!
The recording should be available on Dec 20; you can hear the duet in perfection with our pianist then!! 😀
“Leviathan of the Ancient Deep” is a three-movement, 25-minute concerto for 6-string electric violin, EWI, Synth, and orchestra. Written in 2008 and not premiered live until 2016, it is indeed a monster of a work:
“…it’s a fantastic piece – imaginative, engaging, and pretty wild” (Sam Renshaw)
Collaborating with PARMA Recordings and the Moravian Philharmonic of the Czech Republic, we are working to create a definitive recording of this challenging, cinematic work so that its dramatic sonic experience can be shared widely with others.
When it comes to fundraising, personal connection and building meaningful relationships are key.
So, do you know any potentially interested sponsors – corporate and private – in your personal sphere of influence? If so, would you be so kind as to send me a message introducing them to me? I’d be happy to send them a Sponsorship Packet and discuss the opportunity to sponsor this recording personally with them!
Never underestimate the power of your simply sharing this adventure with others… Thank you so much for your help!!
OMG! I’m a two-time May 2016 Akademia Award winner!!! ? I seriously was not expecting to get this news…I’m really very honored. 🙂
It’s kind of like being recognized into a ground-floor, elite club of sorts. But, wow, the comments I received are just super nice! Good to add to my portfolio. And–the fact that my music is recognized in a place that doesn’t even have a Classical category? To me, that encourages me that my music really is “quite complex and unusual and yet…very easy to absorb and appreciate.”
Pretty cool! ?
‘Sarah Wallin Huff works with a palette of sounds in a way that mere humans can only distantly discern – this single is an ambient instrumental masterpiece of classical and modern moods.’ (See my Best Song award here.)
‘Memories And The Gray’ is aptly named – its varying moods convey a rich insight into the creative mind behind the work; sometimes joyous of temperament, elsewise wistful, but always inventive.’ (See my Best EP award here.)
The World Premiere of my work “Madrigal, for Orchestra” starts today at 3pm!! Free concert!!! ?
Details here on Facebook.
Now available in the sheet music store!
In the new score-only downloads section, you can purchase “Madrigal, for Orchestra” as well as the entire “Musical Response Suite for The Book of I.”
And, the full score-plus-parts download of “Madrigal” is now available in the brand new Orchestra section of my catalog.
Enjoy browsing, and be sure to check back often as my list of titles grows!
Here’s the video of our debut performance of my electro-acoustic work, “Organic Circuitry”! Featuring Jonathan Sun on violin, Judy Kang on cello, Kay Pech on electric 5-string, and myself on electric 6-string; performed July 20, 2014 in Cerritos CA.
Enjoy this digital demo of my new piece for handbell choir – dedicated to my dear friend, Claire Blackwell, at The Master’s College in Santa Clarita CA!
Sadly, my playback for bells is limited to the upper range, so you’ll hear a mix of piano and bells, but it gives a good idea of what this piece is all about… I absolutely love how it turned out!! 🙂