Welcome to #NewTuneThursday!
Today’s tune is our next track from “Music for The Book of I” — Phillipy is Fragmented.
Phillipy refers to himself in the third person, as if existing as a separate entity from his very self. I find the habit interesting, a sport of sorts, a way of explaining one’s actions from a distance.
Phillipy knocks at the door…three times…
“…three times, that’s all Phillipy can take.”
He can tell when thoughts are tangled. He may speak in the third person but he is linear, he follows one thought with the next…
In creating this track, I wanted to really feature Phillipy’s autistic obsession with precision and the number 3 in the following ways:
- the work features a solo trio (violin, viola, and cello) against the backdrop of the string orchestra.
- the main sections “plunk” along with pedantic and clockwork rigor
- at around 1:58 in the recording, the accompanying harmonies are outlined with ascending triadic arpeggios… (meanwhile, the harmonic progression is descending… pretty cool, right??) ^_^
- at two points in the recording (1:58 and 3:48), the main theme is broken up by two variant themes that move the rhythm along in 3/4 as opposed to the methodical 4/4 we started in.
- at around 2:58 in the recording, the solo trio plucks out the dissonant “knock three times” motif that is one of Phillipy’s compulsions — and they repeat this three-note motif…three times in a row…
And finally, toward the very end of the work (around 4:04), we hear the descending glide of the violins as Phillipy “goes to meet his mother”… and we finish with a stark, triplet rendition of the main theme from “I Know What Death Sounds Like“… a theme that tends to emerge everywhere you look in this Suite… 😉
This heart-wrenching little musical sonnet 🙂 can be performed by an intermediate-advanced trio. Get the sheet music here! And stay tuned for our new work of next week…