Sarah’s music has a classy, understated sound, yet it is baroque and ornate, tipping the hat off to genius composers like Debussy, but also tipping the hat off experimental ideas and cinematic scores. Opening number “Intrepid” is a very dynamic composition with a unique color, almost echoing the work of modern composers like Yann Tiersen.
Weeping Willow, featuring “Michael Jung,” is one of our favorite tracks on this release. I love the romantic, dramatic high notes of the string section, as well as the timeless sound of the sparse piano melodies, almost flirting with shades of Tango, in the vein of Astor Piazzolla. A true masterpiece, with so many nuances. The album is also home to a suite extending over 3 tracks, “Leviathan of the Ancient Deep.” These songs also features ambient samples, as well as electronic elements and ornate percussions, making for a really diverse set of colors.
Sometimes the idea behind the music is just as interesting as the music itself…the music on this album “…explores the relationships between mechanical structures, organic beauty, and identity.” …Wallin Huff presents three unusual compositions that tackle some intriguing ideas and topics… Her music is quite complex and unusual and yet…very easy to absorb and appreciate. There’s a lot to take in here… Our favorite is the wonderfully moody and subtle “Gypsy Wanderer”…nothing short of breathtaking.
…the [Book of I] soundtrack composed by Sarah Wallin Huff stands out as both a powerful album, taking its listener on an emotional journey of beauty, despair, and hope, as well as a fascinating study of the composer’s visceral and intellectual connection to the source material. Featuring the stellar work of musicians Darrell Peries, Caleb Barnes, Cathy Alonzo, Jenna Ford, Lainey Elizabeth White, Brett Bird, Jonatas Mostacato, Ayla Draper, and [Wallin] Huff herself, the album is a stunning collection of gorgeous, orchestral selections comprised mostly of string instruments that are, at times, vividly haunting but always entirely engrossing. [Wallin] Huff, who previously released her own album, Soul of the Machine, earlier this year, clearly has a passion and a gift for sharing every ounce of her mind, body, and soul with the listener, as if providing a warm invitation for the listener to share the same in response.
It is the third piece “The Oracle” that is the crème de la for me with its incredible depth and creative complexity. Dynamics take deep hold here with sudden bursts and calming moments. I really hear the room when flute and clarinet parts elevate along with the brilliant staccato keyboard hits. There are moments when time seems to fall apart and then strings back together in a wonderful interplay among the musicians.
Evoking the driving forces of metamorphosis and migration, INTREPID is a cinematic Fantasy for soloist on oboe and english horn, with small chamber orchestra accompaniment. It is rich in color and texture, persistently forward-moving on its sweeping journey.
Completed in 2015, this work consists of a rather unusual ensemble, as it was written for a very specific group in mind. But, in fact, I love how this unique texture plays into all the richness of color and harmony as well as transparency. This is definitely one of my favorite works; I love the melody and harmonies… someday I hope to re-record it with an expert group. 🙂
Get a glimpse into the world of the Leviathan E-Violin Concerto with this new music video featuring a 10-minute sample from the epic, exclusive recording of “Leviathan of the Ancient Deep” and images taken from the accompanying, interactive picture-book!
Twenty-three years after surviving the Scandal of 2241, Janice Parc lives out her adulthood in pleasant normalcy with her husband and three children. The family gets the chance to visit the village of Hiskitan in northernmost Artemisia. Janice knows she must face her memories with courage if her heart is to move on. So she agrees to the journey for the sake of her family and for her own growth.
Unfortunately, the depth of the Artemisians’ pain is too great to ignore. The last living relative of Agent David Rifadoft will not allow her suffering, nor that of her people, to go unanswered. By her guidance, the adventure that began with such hope will escalate into a cycle of tragedy. In the effort to rescue Janice and her family, Special Officer Steven Roberts abandons his post at the Experimental Colony on Ares. He returns to Earth, and the darker truths behind their past begin to unfold.