…the [Book of I] soundtrack composed by Sarah Wallin Huff stands out as both a powerful album, taking its listener on an emotional journey of beauty, despair, and hope, as well as a fascinating study of the composer’s visceral and intellectual connection to the source material. Featuring the stellar work of musicians Darrell Peries, Caleb Barnes, Cathy Alonzo, Jenna Ford, Lainey Elizabeth White, Brett Bird, Jonatas Mostacato, Ayla Draper, and [Wallin] Huff herself, the album is a stunning collection of gorgeous, orchestral selections comprised mostly of string instruments that are, at times, vividly haunting but always entirely engrossing. [Wallin] Huff, who previously released her own album, Soul of the Machine, earlier this year, clearly has a passion and a gift for sharing every ounce of her mind, body, and soul with the listener, as if providing a warm invitation for the listener to share the same in response.
Sometimes the idea behind the music is just as interesting as the music itself…the music on this album “…explores the relationships between mechanical structures, organic beauty, and identity.” …Wallin Huff presents three unusual compositions that tackle some intriguing ideas and topics… Her music is quite complex and unusual and yet…very easy to absorb and appreciate. There’s a lot to take in here… Our favorite is the wonderfully moody and subtle “Gypsy Wanderer”…nothing short of breathtaking.
Sarah’s music has a classy, understated sound, yet it is baroque and ornate, tipping the hat off to genius composers like Debussy, but also tipping the hat off experimental ideas and cinematic scores. Opening number “Intrepid” is a very dynamic composition with a unique color, almost echoing the work of modern composers like Yann Tiersen.
Weeping Willow, featuring “Michael Jung,” is one of our favorite tracks on this release. I love the romantic, dramatic high notes of the string section, as well as the timeless sound of the sparse piano melodies, almost flirting with shades of Tango, in the vein of Astor Piazzolla. A true masterpiece, with so many nuances. The album is also home to a suite extending over 3 tracks, “Leviathan of the Ancient Deep.” These songs also features ambient samples, as well as electronic elements and ornate percussions, making for a really diverse set of colors.
It is the third piece “The Oracle” that is the crème de la for me with its incredible depth and creative complexity. Dynamics take deep hold here with sudden bursts and calming moments. I really hear the room when flute and clarinet parts elevate along with the brilliant staccato keyboard hits. There are moments when time seems to fall apart and then strings back together in a wonderful interplay among the musicians.
Only a few days ago, an amp I’ve been drooling over for a long time finally arrived! And I just had to share all the fun I’m having with it ?
All the effects that you hear in the video below are built-in. I’m sure they can also be combined, I just haven’t gotten the chance to play more with that yet… This amp also has the option of being battery powered, for those busking outings. And, speaking of busking, I was surprised to find how light and easy to carry it is!
I can control the output to save on power depending on the situation:
Output power is adjustable in three levels—Max (50 W), Normal (25 W), and Eco (10 W)—letting you optimize battery life for different performing situations.
One of the reasons I fell in love with this amp was the full power it offered (50 W)!! As an electric violinist, I’ve often found that I need a lot of wattage to be heard over orchestras and bands.
It has 4 independent channels, and there’s an 1/8 inch jack in which I can plug my iPhone to play with backing tracks or directly record into apps like (one of my currently favorite on-the-go recording apps) Spire.
Above all, I love how warm and natural the sound is as well as all the EQ control I have (as you can imagine, balancing the sound of 6 strings can be tricky). Enjoy taking a listen to my fooling around with the just-out-of-the-box Cube Street EX!
Due to a large and involved soundtrack project I recently took on (featuring my music that will appear in the background of an upcoming bingo game app), I am now able to share these fresh electronic tunes with you all as it’s own full album!
With smooth and comfortable underpinnings reminiscent of Brahms stepping out to jazz, or Zappa gently walking through a garden with a favorite melody, “simplicity” provides a meditative setting while rewarding close listening. The treasures are in the details […]
At last! My 2008 concerto for 6-string electric violin, EWI, synth, and chamber orchestra will be debuted LIVE in concert, alongside Beethoven’s 5th Symphony, on Sunday April 10 @ 6pm in Anaheim!!
[UPDATE: We have a venue and ticket info!!! See the updated flyer below…]
Featuring myself on the solo electric violin part (with my beloved Aisling!) and David Rentz conducting. Also featuring Lyle Michaud on the synth, and Lori Huff and Cory Stockhoff on the EWIs. Spread the word and hope to see you there!
I’ve compiled a new album for you all! Introducing… Memories & The Gray: The Electronic Collection
It’s a re-compilation of all my electronically sequenced works, PLUS two brand new works I’d written for a couple previous video opportunities. I wanted to be able to share them, even though their originally anticipated use fell through… 🙂
Besides being available directly at my Store, this album is streaming now at Spotify and will be up on iTunes shortly… Enjoy!
Donate $20 or more to receive this EXCLUSIVE Single, as well as all the perks you desire according to your donation level! $20 gets you a free finished, professional grade CD of my selected works, recorded and produced by PARMA!
Feel free to either donate directly at my site, or via my FundRazr page — both come directly to me, and I’ll be able to get in touch with you regarding your perks. I will email you a private link to the full GrayScale track on SoundCloud, and you’ll be able to download it and enjoy it!! 😀