Stream-of-Consciousness Composer
Welcome to #NewTuneThursday! Today’s tune for flute/piccolo, clarinet, violin, cello, and piano is “An Experiment in Aleatorism & Formula” from 2016. Using 50 tarot cards to create the framework, there is both an element of chance (in that the process…
Welcome to #NewTuneThursday! Today’s tune was composed in 2017 for my friend, violinist Payman Eliahoo, and his son, who (at the time) was a beginning clarinet student. As I was putting it together I built the entire work off of…
Welcome to #NewTuneThursday! Today’s tune kicks off the Christmasy-slash-Holidays edition of these four Thursdays in December. Sadly I have yet to hear this lovely little song for SATB and solo instrument performed with real musicians; I can only give you…
Join us for Sarah Wallin-Huff’s new album release, live music, great wine, and lots of fun! This special album will feature an amazing Surround Sound playback for both BluRay and DVD discs, and Stereo for digital download capability. For this…
On Feb. 11, I had the great joy of working with my talented friends, Anne Sherrill (cello), Wan-Chin Chang (piano), Virginia Figueiredo (clarinet), Tina Huynh (flute/piccolo), and James Rael (CBTTF Records) recording my complicated and epic quintet, “The Oracle“! Enjoy…
Presenting a music video for my 2016 work for flute/piccolo, Bb clarinet, violin, cello, and piano. Using 50 tarot cards to create the framework, there is both an element of chance (in that the process of drawing the cards and…
It’s been a busy couple of weeks, but I wanted to take a moment to share all the excitement with you! ^_^ Firstly, if you recall my last post detailing my processes of writing “The Oracle,” I’m very proud to announce…
I’m in the middle of composing a real neat piece right now for a July 1 deadline… I’m calling it “The Oracle,” and it’s for flute/piccolo, Bb clarinet, violin, cello, and piano.
What I’ve done is set up a complex set of “rules” that guide my writing based on the random drawing of tarot cards… But it’s turned out to be both an aleatoric and a highly flexible process that leaves me with a lot of artistic possibilities, though I’m being guided in the overall structure by the cards I draw and their placement in the spread I’ve chosen.
As you might imagine, knowing me, I’m having a ton of fun with this. There’s something thrilling about the mixture of using both a pre-compositional process that prevents me from fully anticipating the outcome of a work combined with that process allowing for a vast amount of contextual freedom!
Enjoy a sample of the work at the end of this post…