I am so honored (and validated)!
If you haven’t already, go take a listen to Legend Seekers today!
Come enjoy the relaxed atmosphere of an intimate social chamber music event in our underground studio! Featuring all-original music from local composers Simeon Goode, Brian Bunker, and yours truly ?
We’ll be presenting music for small chamber groups including strings, piano, flute, electronics, voice, and more!
Seating is very limited, so RSVP today—show your ticket at the event and get your choice of free music download-card from my work!
Looking forward to hanging out with you in April!
The first new work for 2019!
Running at just over 4 minutes, this dramatic, challenging chamber work for solo viola and piano recounts the emotions that course through Edgar Allen Poe’s classic poem, “The Raven,” with modern, neoromantic flair.
As of right now, I only have a midi demo; please take it with a grain of salt. 🙂 Soon, however, I should have at least a video of its live debut performance…
Enjoy this official Press Release with info about “Leviathan…” and the rest of this adventurous album! Please share this pdf with anyone else you think might be interested in learning about Legend Seekers!
These past few months have been indescribably fulfilling, yet chaotic, as these things usually go, lol. 😉 I’m nearly through my first semester as a music professor for Cal Poly Pomona; I’ve spent nearly every waking moment setting up and teaching my new classes! I’ve really been enjoying this adventure, and I look forward to each following experience with this wonderful school.
Naturally, as the semester draws toward a close, I’ve been itching to get back to composing and completing my upcoming album, “Legend Seekers” – I’ll be able to start getting back to these projects in just another few weeks, yay! In the meantime, I’ve been meaning to set up this blog post to showcase some of the photos and videos documenting our recording sessions for “Intrepid” and some of the other works that will appear on this upcoming album… Enjoy the gallery and impromptu videos below!
Don’t forget… if you’d like to be a Backstage Supporter of this and other future projects, visit the Backstage Community to see what perks are available–like autographed copies of scores and albums as well as your name listed on the albums you support!
A very special thanks to everybody who has patiently worked with me to make this become a reality!! <3
Presenting a fun, new work for intermediate violin and piano — “Samba Llena de Vida”!
Check out the live demo recording below, and purchase the sheet music for yourself here!
Coming up soon in these next couple of months, we’ll be recording the epic Fantasy for Oboe/English Horn Soloist and Chamber Orchestra, “Intrepid“! It will be an amazing compliment to the Leviathan E-Violin Concerto on the upcoming album! <3
To prep the upcoming strings-only session — to make the process as easy as possible on my dear friends helping to make this possible — I decided to record myself playing the 2 violin parts and viola part ahead of time. It’ll give me a lot more flexibility in mixing the tracks, and give my players a really solid footing when reading through this together.
One of the things I love about a process such as this, is getting to hear a larger piece broken up into its basic layers–getting to hear what components interact to create the overall effect–and it never ceases to amaze and thrill me! I love music that weaves in and out of itself like a sonic tapestry…
You can get a sense for the intricacy of this work by listening to the following two segments of this prep-recording. Enjoy! 🙂
Want to contribute to this recording? There are several ways you can help:
Welcome to #NewTuneThursday!
“Greek Dance” is one of my earliest pieces; I believe this is one of those tunes I wrote while sitting on the bus during my tour years, like “Face in the Moonlight“…
Composed in 2002, this charming and enthusiastic work for string quartet makes playful use of the various rhythmic textures able to be derived from odd-beat patterns. Though it stands, in its spontaneity and brevity, as one of Wallin Huff’s earlier works, it remains a favorite among those who have tackled its deceptively simple intricacies.
It seems so simple, yet it’s such a challenge and a blast to play!
Earlier this year, Ryan M. Luévano invited me to include a short piece for string orchestra of my own during the debut concert of the Neue World Orchestra Project, so I decided to arrange this old quartet for the group. I really love the extra layers of color and texture it provides!
Below, you can hear the original quartet recording, as well as see the video from NWOP’s performance of the string orchestra version. Enjoy!
“Greek Dance” can be performed by groups of intermediate to advanced ability. Get the sheet music for the quartet here, and the string orchestra music here! And stay tuned for our new work of next week…
I’m so thrilled and honored to be the violinist playing the music for each show with pianist Corey Hirsch! It’s a blast to play, and the students involved are all really great!
Be sure to come out and say Hi! ?
Welcome to #NewTuneThursday! (Parts of this post were published three years ago.)
The story behind “Butterfly Lullaby” is an interesting one! While I completed it in its present state in 2012, it actually existed long before that as a simple violin and piano duet called, “A Lyrical Interlude,” originally composed in 1998…. Wow! It is truly a blast-from-my-past – I was only 18 years old! ?
Late in 2012 – before I had any real discography – I had decided that, with some of my more current works slated to come out on the Navona Recordings label soon, I wanted to self-produce a very simple, eclectic album of all my older and perhaps more naive compositions – because I still enjoy them and didn’t want them to be forgotten, even though they were early works from a much younger composer. ? As I was compiling all the pieces I wanted to record and include on this album, I came across my old little violin/piano duet, which I had performed several times years prior with friends in private concerts and events. It lacked the intro and “bridge” section of the current Lullaby, and it didn’t modulate keys as it does now, so it was very short and simple. But I loved it dearly and really wanted to include it.
I considered to myself how, in 2012, I rarely played the violin part any more, but I did find myself singing it regularly! So, I said to myself, why not 1) turn the violin part into a vocal solo and add lyrics, 2) keep and embellish the piano part, and 3) add another melodic line to harmonize with the vocal part?
I went to work on it with excitement and finished “Butterfly Lullaby” in only a matter of days! With such a charming and unpretentious melody I knew it had to be a lullaby of some sort, and, after some light research, I had decided that the topic would be loosely based on Native American mythology – that of the tale of the Butterfly as the bringer and keeper of dreams. And, from that moment on, this piece was given a grand rebirth!
Enjoy the definitive recording below:
Listen on YouTube Music
Take this Butterfly,
Bye-Bye, Sweet Child;
Embrace her comfort as her wings brush against your skin.
And with your breath whisper a wish
Into her ear;
She’ll make no sound but trust it only to Heav’n.
Dance beneath the Moon,
Bye-Bye, Sweet Child.
His guardian light embraces all of the earth and sky.
And as you lay your heavy head
Upon your bed,
The Butterfly will bring your dreams while you sleep.
Though sorrow looms, be not afraid;
Time wil prove true.
Shake the dust from your wings;
Give thanks for life’s renewal!
Behold the Morning Star breaks forth.
Fare thee well, Sweet Child.
And with the dawn, ancestral spirits smile down on you.
Sleep well and dream the Dream of Hope,
Bye-Bye, Sweet Child.
Butterflies will greet you when you awake.
“Butterfly Lullaby” can be performed by an early-intermediate ensemble. Get the sheet music here! And stay tuned for our new work of next week…