Using 50 tarot cards to create the framework, there is both an element of chance (in that the process of drawing the cards and their placement in the 5 separate tarot spreads, is all random) and an element of “foreordained knowledge” (or pre-compositional structure).
“The Oracle” has thus emerged as a multi-faceted, deeply layered, story-driven reflection of the human condition.
I totally dig the intersection of free-will or chance and structural formula at which Art’s uniqueness can emerge… 😉
I’m in the middle of composing a real neat piece right now for a July 1 deadline… I’m calling it “The Oracle,” and it’s for flute/piccolo, Bb clarinet, violin, cello, and piano.
What I’ve done is set up a complex set of “rules” that guide my writing based on the random drawing of tarot cards… But it’s turned out to be both an aleatoric and a highly flexible process that leaves me with a lot of artistic possibilities, though I’m being guided in the overall structure by the cards I draw and their placement in the spread I’ve chosen.
As you might imagine, knowing me, I’m having a ton of fun with this. There’s something thrilling about the mixture of using both a pre-compositional process that prevents me from fully anticipating the outcome of a work combined with that process allowing for a vast amount of contextual freedom!
Enjoy a sample of the work at the end of this post…