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Sarah Wallin Huff

Stream-of-Consciousness Composer

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© Copyright Sarah Wallin Huff and SarahWallinHuff.com, 2004 – 2020. Unauthorized use and/or duplication of this material without express and written permission from this site’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Sarah Wallin Huff and SarahWallinHuff.com with appropriate and specific direction to the original content.

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Any Way You Want It…
Testimonials

The Oracle

It is the third piece “The Oracle” that is the crème de la for me with its incredible depth and creative complexity. Dynamics take deep hold here with sudden bursts and calming moments. I really hear the room when flute and clarinet parts elevate along with the brilliant staccato keyboard hits. There are moments when time seems to fall apart and then strings back together in a wonderful interplay among the musicians.

Wesley Derbyshire
Hi-Res Edition

Sonata Moderna

Sarah Wallin Huff works with a palette of sounds in a way that mere humans can only distantly discern – this single is an ambient instrumental masterpiece of classical and modern moods.

Akademia Awards
The Akademia

Memories & The Gray

‘Memories & The Gray’ is aptly named – its varying moods convey a rich insight into the creative mind behind the work; sometimes joyous of temperament, elsewise wistful, but always inventive.

Akademia Awards
The Akademia

ArtistRack: Legend Seekers

Sarah’s music has a classy, understated sound, yet it is baroque and ornate, tipping the hat off to genius composers like Debussy, but also tipping the hat off experimental ideas and cinematic scores. Opening number “Intrepid” is a very dynamic composition with a unique color, almost echoing the work of modern composers like Yann Tiersen.

Weeping Willow, featuring “Michael Jung,” is one of our favorite tracks on this release. I love the romantic, dramatic high notes of the string section, as well as the timeless sound of the sparse piano melodies, almost flirting with shades of Tango, in the vein of Astor Piazzolla. A true masterpiece, with so many nuances. The album is also home to a suite extending over 3 tracks, “Leviathan of the Ancient Deep.” These songs also features ambient samples, as well as electronic elements and ornate percussions, making for a really diverse set of colors.

ArtistRack
ArtistRack

Soul of the Machine

Sometimes the idea behind the music is just as interesting as the music itself…the music on this album “…explores the relationships between mechanical structures, organic beauty, and identity.” …Wallin Huff presents three unusual compositions that tackle some intriguing ideas and topics… Her music is quite complex and unusual and yet…very easy to absorb and appreciate. There’s a lot to take in here… Our favorite is the wonderfully moody and subtle “Gypsy Wanderer”…nothing short of breathtaking.

Baby Sue
Baby Sue

Music for The Book of I

…the [Book of I] soundtrack composed by Sarah Wallin Huff stands out as both a powerful album, taking its listener on an emotional journey of beauty, despair, and hope, as well as a fascinating study of the composer’s visceral and intellectual connection to the source material. Featuring the stellar work of musicians Darrell Peries, Caleb Barnes, Cathy Alonzo, Jenna Ford, Lainey Elizabeth White, Brett Bird, Jonatas Mostacato, Ayla Draper, and [Wallin] Huff herself, the album is a stunning collection of gorgeous, orchestral selections comprised mostly of string instruments that are, at times, vividly haunting but always entirely engrossing. [Wallin] Huff, who previously released her own album, Soul of the Machine, earlier this year, clearly has a passion and a gift for sharing every ounce of her mind, body, and soul with the listener, as if providing a warm invitation for the listener to share the same in response.

Barbra Dillon
Fanboy Comics

The Dark Glass Sinfonia

Sarah Wallin Huff’s orchestral piece “The Dark Glass Sinfonia” is featured on the new release “Prisma 3,” a compilation of new orchestral compositions. From its truncated, questioning gestures of the introduction, to the artful handling of instrumental density, to its closing drama, her piece is a standout on the disc, an offering that does Cal Poly proud.

Dr. Peter Yates
Chair, Music Dept., Cal Poly Pomona
© Sarah Wallin Huff 2020
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