Today, Sarah is our featured artist in “The Inside Story,” a blog series exploring the inner workings and personalities of our composers and performers. Read on to discover how Disneyland helped solidify her desire to create music as a kid…
Wallin-Huff’s brooding The Dark Glass Sinfonia is as mysterious as its title, the composer here melding atonality with modal harmony in a dramatic tone poem that recalls at certain moments Bartok and Shostakovich… The quality level is high throughout [the album], but the release earns its recommendation for the pieces by Alabaca, Wallin-Huff, and Vassdal in particular. Of all the album’s settings, one imagines these three would most stop an audience in its collective tracks upon encountering them in a concert set-list.
My Dark Glass Sinfonia for symphony orchestra is the second track on this amazing album, coming out soon from Navona Records. And you can pre-order it now! 🙂
…Next comes Dark Glass Sinfonia by Sarah Wallin Huff, in which crumpled dissonances flower into exuberant tonality, capitalizing on the full dynamic range of the orchestra… In PRISMA VOL. 3, seven masters of this challenging artform rethink what a symphony orchestra is capable of, and in so doing, present their audience with a unique and gratifying musical experience.
Enjoy this official Press Release with info about “Leviathan…” and the rest of this adventurous album! Please share this pdf with anyone else you think might be interested in learning about Legend Seekers!
Only a few days ago, an amp I’ve been drooling over for a long time finally arrived! And I just had to share all the fun I’m having with it ?
All the effects that you hear in the video below are built-in. I’m sure they can also be combined, I just haven’t gotten the chance to play more with that yet… This amp also has the option of being battery powered, for those busking outings. And, speaking of busking, I was surprised to find how light and easy to carry it is!
I can control the output to save on power depending on the situation:
Output power is adjustable in three levels—Max (50 W), Normal (25 W), and Eco (10 W)—letting you optimize battery life for different performing situations.
One of the reasons I fell in love with this amp was the full power it offered (50 W)!! As an electric violinist, I’ve often found that I need a lot of wattage to be heard over orchestras and bands.
It has 4 independent channels, and there’s an 1/8 inch jack in which I can plug my iPhone to play with backing tracks or directly record into apps like (one of my currently favorite on-the-go recording apps) Spire.
Above all, I love how warm and natural the sound is as well as all the EQ control I have (as you can imagine, balancing the sound of 6 strings can be tricky). Enjoy taking a listen to my fooling around with the just-out-of-the-box Cube Street EX!
How apropos is it that our first new tune to show up this Thursday is “Forgotten Melody“? 😆
“Forgotten Melody” is very memorable with a sweet movement that progresses throughout the piece. (source)
This unassuming, little 3-minute work for solo violin and piano was originally composed in 2006 for a graduate school assignment. I jotted it down in only a week and then forgot about it! But during my work putting together Paroketh’s Veil for CBTTF Records, I realized it was an opportune time to “dust off” the old file, clean it up (add an improvisatory intro), and give it a real life. 🙂
Spoiler: I have plans to re-record this work with two very dear and talented friends of mine this Fall. My long-term sneaky plot is to eventually release it as part of a very exciting, full album release, featuring the ultimate recording of the 2008 electric violin concerto, “Leviathan of the Ancient Deep”! (Pro Tip: Be sure to subscribe as a Backstage Member to be the FIRST to receive the epic Concerto recording!!)
This charming little duet can be played by anyone with intermediate ability. Get the sheet music here! And stay tuned for our featured work next week…
Voltra’s desktop and mobile players — currently in beta testing — are free to download. Any users with a Voltra account can choose to either buy songs immediately or try out a new song with Voltra’s “stream-to-own” feature….
…this model offers listeners a low-cost way to figure out if they enjoy a particular song while also ensuring that artists earn money off the songs that get played the most…
This emphasis on lasting storage contrasts with subscription-based streaming services, where canceling your account comes with the risk of losing personally curated playlists and listening history….
Voltra aims to strengthen two facets of this artist-listener relationship: If music ownership is Voltra’s priority for listeners, sufficient compensation is the company’s goal for artists…
…artists who sign up directly through Voltra would receive 100 percent of their earnings, since the company doesn’t deduct a commission from their song profits… It’s also free for artists to upload their music to Voltra’s store. Voltra — which is not ad-supported — earns additional revenue from its sale of Pro Features to artists, labels, and distributors for five to ten dollars a month, offering musicians additional perks like customizable sales reports or a public artist page on the Voltra site.
…a musician can earn 99 cents after only 10 streams on Voltra, compared to 226 streams on Spotify, 134 on Apple Music, and 146 on Google Play. Spotify’s average payout per stream reportedly ranges from $0.006 to $0.0084, which is split among the the music’s various “rights holders,” meaning that 226 streams would yield about $1.50, of which the artist would receive some portion.
“I feel like it’s weird that [Voltra’s business model] is novel,” Fragomeni says, “but I really believe that it’s possible to have a sustainable business with really cool premium services where the ultimate ethical objective is to try to have the artists be paid.”
I am SO getting my music on this service!! Check it out and support this amazing artist-listener-relationship tool!