I am thrilled to announce that the 2019 short film I had the pleasure of creating the music for is now up for viewing on YouTube!
The original soundtrack is also available for streaming everywhere on the album “Tonal Eclipse”.
The other Tequila Mockingbird Productions film I’ve gotten to work on, “Shady Oaks Takedown” (soundtrack available here), is also available for viewing, as well as all of the production company’s other films. Enjoy!
Music Faculty, Staff, and Guests Perform Original Compositions
OCTOBER 28, 2020 at 8:00pm PDT
Meeting ID: 898 9025 4279
ID: CPPMusic
Link: https://cpp.zoom.us/j/89890254279
Performing:
“Catching Up” by Wessel van Rensburg and Wouter Kellerman
“Thursday, An Umbrella” by Philip Graulty
“Gentle Rain” by Luiz Bonfa, lyrics by Matt Dubey, arranged by John Proulx
“Ayre of Grievances” by Sarah Wallin-Huff
“Stoop Sitting” by Peter Yates
“II Movement” from Trio for Flute, Alto Sax, and Piano by Russell Peterson
“During” from Waiting Music by Evan Ware
“Listen To My Vision” by Janine Riviere
“Etude in A-flat Major, Op. 25, No. 1” by Frédéric Chopin
Virtual Performance of “Ayre of Grievances”
Announcing the newest electronic/classical album — “Tonal Eclipse”! Pre-orders are currently available on Bandcamp and the official release on all platforms is scheduled for September 1!
Pre-Order for “Tonal Eclipse” Now Open!
Included in this release is the full, Roger Taylor Award Nominated soundtrack for the short film “I Spy a Foodie”! Click the link to get a taste of what’s to come…
This past spring, the Cal Poly Pomona Music and Dance Departments were gearing up to perform modern music with dance in an exiting concert together. Unfortunately Covid-19 hit, and the concert, with everything else, was cancelled. We are hoping to one day revive this effort, though.
In the meantime, the Dance Department put together a wonderful archive of what we had accomplished before the shutdowns. Below, enjoy a rehearsal video from the session when pianist Mike Jung and I were able to join the dancers, playing the first movement of my work “Gypsy Wanderer” as they rehearsed!
Choreography – Kim Gadlin (faculty)
Music Composer and Performance by – Sarah Wallin Huff (faculty)
Music – Gypsy Wanderer: Irreverently
Performers – Francisca Chaparro, Alondra De Leon, Debbie Martin, Kara Rickman, Milan Robertson
The main theme of the dance was the feeling of being tied down, and eventually breaking free from shackles. There were ideas that the dancers were going to interact with the live musicians as they played on stage. I enjoyed how we all would learn phrases of movement and then decide amongst one another to decide who we thought performed it best or portrayed the vision precisely… All who were a part of the piece ensured an open and supportive space which allowed artistry and ideas to flow.
This piece illustrated strong performers attempting to release themselves from confinement. The choreographer had visions of the performers becoming entangled in ribbons trying to break free. The piece was packed with quick footwork and intricate floor work. The music was up-tempo, but lovely. It was very well done by a violinist and pianist; we even had the pleasure of meeting them and dancing to their piece live in the studio. I had high hopes for this piece and grew to love it. A big takeaway for me about this process was, there is beauty in the process of becoming.
Hearing this piece and being able to practice to it live was a whole new experience for all of us. Right away you could see a change in how we approached this dance and it felt amazing…The piece was so close to being finished…Hopefully we’ll be able to come back to the dance in the future since it held a strong presence.
Free-writes and reflections from (Per)spectives ensemble members
From a glowing review for Prisma Vol. 3 on textura:
Wallin-Huff’s brooding The Dark Glass Sinfonia is as mysterious as its title, the composer here melding atonality with modal harmony in a dramatic tone poem that recalls at certain moments Bartok and Shostakovich… The quality level is high throughout [the album], but the release earns its recommendation for the pieces by Alabaca, Wallin-Huff, and Vassdal in particular. Of all the album’s settings, one imagines these three would most stop an audience in its collective tracks upon encountering them in a concert set-list.
textura
If you’re lucky enough to be in a position to spare some funds, please consider sharing your good fortune by buying music directly from artists on Bandcamp.
This Friday, March 20th from midnight to midnight Pacific time, Bandcamp’s share of sales will go to the artists you choose to support, and as always, it will reach them in 24-48 hours.
You can also send your favorite music to a friend (there’s a “send as gift” option below every item on an album page and in your collection), or give them a Bandcamp gift card and let them make their own selections.
Own some unique independent music today and support your favorite artists!
Super humbled to have been featured in student paper, The Poly Post, today! ^_^
This past August I finished an original score for a dark-humor short (based on a true story, no less!) called I Spy a Foodie. It was a very enlightening learning experience and a really fun project to work on! I pulled out some new gadgets and tried new ideas for it (I’m so thrilled I got to use this amazing free app for a lot of my sounds), and I’m so happy with how the whole score turned out!
On top of that, I’ve just learned that my score is nominated for the Roger Taylor Award for Best Score for a short film at the Idyllwild International Festival of Cinema!! I’m so thrilled!
My Dark Glass Sinfonia for symphony orchestra is the second track on this amazing album, coming out soon from Navona Records. And you can pre-order it now! 🙂
…Next comes Dark Glass Sinfonia by Sarah Wallin Huff, in which crumpled dissonances flower into exuberant tonality, capitalizing on the full dynamic range of the orchestra… In PRISMA VOL. 3, seven masters of this challenging artform rethink what a symphony orchestra is capable of, and in so doing, present their audience with a unique and gratifying musical experience.
Album Editorial Review
Now available: enjoy Chapter 1 from “Pursuit of Truth (The Kesher Chronicles #1)” in an immersive way with original music underscoring and sound effects!
Want to find out what happens next? Get your copy of the book here!
If you like what you hear, please share! <3
