It’s time for my Music TBT, where I randomly choose a work from my repertoire and reminisce about its beginnings!
Today’s TBT Selection is…
With the instrument’s sound run through a timed digital delay effect, the soloist is able to create a “canon with herself.” Combining a haunting folk-style melody with virtuosic effects, this work is a flourish of stirring harmony and dogged rhythmic control.
I have a lot of fond memories with this piece. This little gem was written way back in 2003, during my first year at Cal Poly Pomona, after transferring from a life of scattered community colleges and performance touring.
The music department was starting up the MIDI Ensemble that year. The company they had ordered all their equipment from had thrown in a free Fender electric violin as part of the bulk purchase, and one of the teachers asked me if I’d like to play it with the group. How could I turn that down?! And so my relationship with the electric violin (and increasing its strings/range) began that year.
For our first concert, the instructor wanted each of us to show off what our instruments could do alone, to showcase the capabilities we had with the electronics. Because mine was the only non-MIDI instrument, I decided to show off what I could do in conjunction with digital delay. And, honestly, I didn’t want to just improvise something out of the blue on stage, so I took time to organize my thoughts and composed this work. I debuted it at that first MIDI Ensemble concert, and “Personal Echo” has been performed numerous times ever since, by both myself and others! Every time, it is a favorite of the listeners and performers – I love how it tends to entrance those in attendance, every time…
I even added a cool vibraphone part once to accompany this piece for the String Theory Quartet album release, “abstract,” which you can check out here on Spotify. And, of course, the original version can be heard here on Spotify, too, or purchased at various retailers found on my Discography page.