Wallin-Huff’s brooding The Dark Glass Sinfonia is as mysterious as its title, the composer here melding atonality with modal harmony in a dramatic tone poem that recalls at certain moments Bartok and Shostakovich… The quality level is high throughout [the album], but the release earns its recommendation for the pieces by Alabaca, Wallin-Huff, and Vassdal in particular. Of all the album’s settings, one imagines these three would most stop an audience in its collective tracks upon encountering them in a concert set-list.textura
Enjoy this little sample from the upcoming single…
Super humbled to have been featured in student paper, The Poly Post, today! ^_^
Hear my newest, unique single, “Chant de Grenouille sur la Lune,” now by joining the Backstage Supporter crew!
“Frog Song to the Moon” celebrates the simple beauty of nature, with entirely improvised sounds of the handpan, native trail flute, and violin, set to the background of a chorus of frog-song captured in Valencia, CA on a peaceful evening.
Enjoy some cinematic Christmas carols in “Christmas Wayfarer”! Find it on your preferred platform here. ^_^ And if you like it, please share! <3
I decided to give my radiant handbell choir piece, “Resplendence,” a fresh new sound on its very own single release, just in time for your Thanksgiving! A musical kick-off to the holiday season! ^_^
Originally written for 3.5 octave handbell choir, this release features unique orchestral and electronic textures blending with the evocative timbre of the bells.
Listen to the whole sound track here.
Another rare find! The AMAZING soundtrack by Gil Mellé—a soundtrack that its film does not deserve! 😹 I feel like it belongs with some epic city crime drama…
This soundtrack from 1977 by jazz composer and artist Gil Mellé is an amazing, colorful work of art. What strikes me is how this music got involved with the 1977 Canadian sci-fi film “Starship Invasions” (starring Christopher Lee!!!).
When watching the film, it was a typical B-movie experience, except for the fact that the music continually struck me as beautiful and clever and engaging–nonetheless, the music does NOT match up with any of the vibe or story of the film! It was a surreal experience!!
When listening to the music alone, I imagine some gritty, city, detective drama. And, musically, it is a joy to listen to! So, I’ve taken the available synthetically-made stereo tracks (it feels like these were taken from the original reel-to-reel, that perhaps wasn’t stored too carefully, and then manipulated on early equipment), and I ran them through my up-to-date basic mastering system, to at least try to breathe some fullness into these tracks.
It’s still not the greatest quality. Someday, I may track down the original mono files and just build them up from scratch… I like the music enough, I may just do that someday. But for now, I hope you’ll enjoy this symphonically jazzy soundtrack masterpiece by Gil Mellé!
PARMA recordings is just about ready to start manufacturing of “Prisma Vol. 3”—the orchestral compilation album that my “Dark Glass Sinfonia” will appear on! I love the little blurb they came up for it in the liner notes; so perfect!
”Next comes Dark Glass Sinfonia by Sarah Wallin Huff, in which crumpled dissonances flower into exuberant tonality, capitalizing on the full dynamic range of the orchestra.” (PARMA Recordings)
I’ll let you know when it’s released!
Two new fun designs are now available on the Merch Page! They’re both available on several various products, like my other designs. Enjoy!