Just visit our new Merchandise page, find your favorite original design (most created by Sarah Wallin Huff herself), and click on “Buy Product” to customize that design onto your favorite apparel, artwork, tech tools, and more!
I need your help deciding on which piece of mine to submit for a competition! The requirements are any Classical-style piece, any ensemble, any year of creation… so I’m having a hard time deciding which would be the best one to submit. 🤔
I’ve narrowed it down to my top ten and set up a little opinion poll (see below). I’d greatly appreciate your input on which piece you think would be the best one to submit!
I promised my students I’d jam a little on the fiddle for them for Halloween, so here I am, laying out a metal version of the end of “This is Halloween” from (one of my FAVORITE movies) Nightmare Before Christmas. Enjoy!
I mentioned some weeks ago that a preorder was getting started for the Sept 1 release of my latest album, “Tonal Eclipse.” As of right now it is fully available on Bandcamp (yayyy! Go pick up a copy!)
I was sincerely expecting all the usual streaming options to be up and running by that time, too, based on my previous experience with the same distributor. Unfortunately, this was not to be the case.
My submission for “Tonal Eclipse” kept coming back with issues with it, like improper track or genre labeling; that part’s pretty normal for me. But the newest issue that plagued this submission was the automated message that there seemed to be a cover song on my album that I didn’t have proper licensing for. That was a surprise.
At first I thought it must be the title of the first track—“Tonal Eclipse (Of the Heart)”. *wink* But after resubmitting again and again with tweaks and submitting a couple of support tickets for more specifics on the exact issue… I finally got an unexpected answer.
The problem was my inclusion of my soundtrack from the recent short film “I Spy a Foodie”! I’ve released my soundtracks with this distributor before (“Shady Oaks Takedown” for example), and I’ve never had this issue. Once I replied with the fact that this music was indeed my own and I had permission to release it, I got a prompt and friendly reply back that the distributor just needed to see signed proof of this, which I sent this morning.
So, all this is to say that the full release I planned on happening a couple days ago should be happening very soon, barring any unforeseen issues that might come up. And I’m not upset at distributors like mine who take great care not to release something that might get everyone sued. I only wish the time spent back-and-forth asking for more information to clarify the issue had been cut in half.
Perhaps improvements could be made to create a separate appeals process for releases, rather than having replies sent into the queue with all other general support tickets. That would be nice. 🙂
Today, Sarah is our featured artist in “The Inside Story,” a blog series exploring the inner workings and personalities of our composers and performers. Read on to discover how Disneyland helped solidify her desire to create music as a kid…
I’m back in my basement studio with my native flute, handpan, and my viola to experiment with the AudioKit L7 looper app! (I love AudioKit’s app SynthOne, too–I highly recommend checking it out!)
Ideally, I would use headphones and record the sound properly, but I wanted to see how the app handled a spontaneous “live” sort of setting…. Enjoy this randomly improvised, modern passacaglia, and expect more musical experiments to come… 😉
Inspired by the pandemic quarantine of 2020, this improvised work is an expression of relentless hope unleashed upon the world. On a day of feeling “cooped up” I was simply inspired to create this electronic backdrop of voices and texture, and the next day I pulled out my fiddle and enjoyed freely jamming around to this track.
What with the news of Bandcamp’s efforts to support artists during this pandemic, I suddenly realized that I never did explicitly explain what it means to be a Backstage Supporter on Bandcamp. *oops!*
So here are details: For the cost of only one CD you can receive all of my work throughout the year, ahead of everybody else, and take advantage of subscriber-only music! On top of that, you’ll be supporting local musicians and the quality of my craft in a way that you can hear.
There are three levels of Supporter you can choose from:
Gold Level: $30
Diamond Level: $75
All new releases, the back-catalog items listed, any material I release as backstage-only, and access to my fan community (backstage-only messages and photos).
All that’s included in Basic, plus: I’ll not only list your name in the album notes as a sponsor for all new releases you are a part of, but I’ll also send you an autographed copy of the newest albums you support for free!
All that’s included in Basic and Gold, plus: I’ll send you an autographed copy of one major score of the music featured in the latest album releases you support.
Learn more about what it’s like to make music happen in our day and age in the video below, and consider becoming a Supporter if you can!