Sarah’s music has a classy, understated sound, yet it is baroque and ornate, tipping the hat off to genius composers like Debussy, but also tipping the hat off experimental ideas and cinematic scores. Opening number “Intrepid” is a very dynamic composition with a unique color, almost echoing the work of modern composers like Yann Tiersen.
Weeping Willow, featuring “Michael Jung,” is one of our favorite tracks on this release. I love the romantic, dramatic high notes of the string section, as well as the timeless sound of the sparse piano melodies, almost flirting with shades of Tango, in the vein of Astor Piazzolla. A true masterpiece, with so many nuances. The album is also home to a suite extending over 3 tracks, “Leviathan of the Ancient Deep.” These songs also features ambient samples, as well as electronic elements and ornate percussions, making for a really diverse set of colors.
…the [Book of I] soundtrack composed by Sarah Wallin Huff stands out as both a powerful album, taking its listener on an emotional journey of beauty, despair, and hope, as well as a fascinating study of the composer’s visceral and intellectual connection to the source material. Featuring the stellar work of musicians Darrell Peries, Caleb Barnes, Cathy Alonzo, Jenna Ford, Lainey Elizabeth White, Brett Bird, Jonatas Mostacato, Ayla Draper, and [Wallin] Huff herself, the album is a stunning collection of gorgeous, orchestral selections comprised mostly of string instruments that are, at times, vividly haunting but always entirely engrossing. [Wallin] Huff, who previously released her own album, Soul of the Machine, earlier this year, clearly has a passion and a gift for sharing every ounce of her mind, body, and soul with the listener, as if providing a warm invitation for the listener to share the same in response.
Sometimes the idea behind the music is just as interesting as the music itself…the music on this album “…explores the relationships between mechanical structures, organic beauty, and identity.” …Wallin Huff presents three unusual compositions that tackle some intriguing ideas and topics… Her music is quite complex and unusual and yet…very easy to absorb and appreciate. There’s a lot to take in here… Our favorite is the wonderfully moody and subtle “Gypsy Wanderer”…nothing short of breathtaking.
It is the third piece “The Oracle” that is the crème de la for me with its incredible depth and creative complexity. Dynamics take deep hold here with sudden bursts and calming moments. I really hear the room when flute and clarinet parts elevate along with the brilliant staccato keyboard hits. There are moments when time seems to fall apart and then strings back together in a wonderful interplay among the musicians.
I don’t know if you happened to catch a glimpse of a certain Super Bowl promotional video that aired about an hour and a half before the start of the game. But if you did, you might have caught a glimpse of me playing with the CMG Music Recording orchestra on site at Warner Bros. Studio, at the famous Eastwood Scoring Stage, where all the famous composers of the Golden Age of film recorded their music!
It was a unique experience and I am so honored to have been asked to participate. 🙂
Check out the full video below, and enjoy not only the video screenshots but a few backstage shots as well!
Running at just over 4 minutes, this dramatic, challenging chamber work for solo viola and piano recounts the emotions that course through Edgar Allen Poe’s classic poem, “The Raven,” with modern, neoromantic flair.
As of right now, I only have a midi demo; please take it with a grain of salt. 🙂 Soon, however, I should have at least a video of its live debut performance…
Enjoy this official Press Release with info about “Leviathan…” and the rest of this adventurous album! Please share this pdf with anyone else you think might be interested in learning about Legend Seekers!
These past few months have been indescribably fulfilling, yet chaotic, as these things usually go, lol. 😉 I’m nearly through my first semester as a music professor for Cal Poly Pomona; I’ve spent nearly every waking moment setting up and teaching my new classes! I’ve really been enjoying this adventure, and I look forward to each following experience with this wonderful school.
Naturally, as the semester draws toward a close, I’ve been itching to get back to composing and completing my upcoming album, “Legend Seekers” – I’ll be able to start getting back to these projects in just another few weeks, yay! In the meantime, I’ve been meaning to set up this blog post to showcase some of the photos and videos documenting our recording sessions for “Intrepid” and some of the other works that will appear on this upcoming album… Enjoy the gallery and impromptu videos below!
Don’t forget… if you’d like to be a Backstage Supporter of this and other future projects, visit the Backstage Community to see what perks are available–like autographed copies of scores and albums as well as your name listed on the albums you support!
A very special thanks to everybody who has patiently worked with me to make this become a reality!! <3
The year old film, was produced for the LA 48 Hour Film Project to write, produce and finish a film in only 48 hours. In addition, several parameters were given: A character named Austin or Ashley Cheevers who is a winemaker, a wallet for a prop, and the line of dialog “We only have a few minutes” must be included. The genres were drawn at random from a hat, the team drew “Martial Arts/Buddy Film” and we could combine them or use one or the other. (Source)
This adorable short film, a frequent Audience Favorite at screenings, was a crazy, fun project I was brought in to create the music for… in only 6 or so hours…!!! Read more about the experience here.