This past August I finished an original score for a dark-humor short (based on a true story, no less!) called I Spy a Foodie. It was a very enlightening learning experience and a really fun project to work on! I pulled out some new gadgets and tried new ideas for it (I’m so thrilled I got to use this amazing free app for a lot of my sounds), and I’m so happy with how the whole score turned out!
I finally put up a video this weekend, demonstrating DIY monochords and overtones. I started demonstrating the monochord in class last semester, using an old one handmade in our department, but this semester I wanted to try building my own. ^_^
Enjoy this short compilation video demonstrating both monochords and introducing the concept of the harmonic series…
My Dark Glass Sinfonia for symphony orchestra is the second track on this amazing album, coming out soon from Navona Records. And you can pre-order it now! 🙂
…Next comes Dark Glass Sinfonia by Sarah Wallin Huff, in which crumpled dissonances flower into exuberant tonality, capitalizing on the full dynamic range of the orchestra… In PRISMA VOL. 3, seven masters of this challenging artform rethink what a symphony orchestra is capable of, and in so doing, present their audience with a unique and gratifying musical experience.
If you’ve enjoyed “The Raven” from my recent suite for viola and piano, Nevermore, then you might be pleased to know I’ve just finished the second movement, “Annabel Lee.”
I think this poem by Edgar Allen Poe might be one of my favorite literary works… 🤔🥰 I tried to keep the sense of innocence and deep sorrow in this musical rendition. There is a third and final movement–“Tell-Tale Heart”–planned for the future, too; so keep an eye out for that. 😉
In the meantime, enjoy the simple demo of “Annabel Lee” below…