Presenting a fun video of the debut performance of movement 1 from “Wabi-Sabi (for string quartet)”!
As we’ve still been in quarantine mode at the start of spring, I thought I’d overlay myself playing all the quartet parts using my 6-string electric violin. And, of course, I wanted to show off my fiddle’s colorful lights at the start of the video. 😉
“Wabi-sabi acknowledges that just as it is important to know when to make choices, it is also important to know when not to make choices: to let things be.” (Leonard Koren in “Wabi- Sabi for Artists, Designers, Poets & Philosophers”.)
The aesthetic and metaphysical ideals that Japanese wabi-sabi encapsulates include simplicity, naturalness, and an acceptance of reality. This musical work seeks to illustrate the overall nature of wabi-sabi. At both the beginning of movement 1 and the ending of movement 3, notes are thought of as specks of Potentiality that are randomly evolving from or devolving to Nothingness. Movement 2, at the center point of this universal journey, expresses a concerted effort of diverse elements to create structure and meaning.